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dragon

Translation
dragon
—dragonish, adj. —dragonlike, adj.
/drag"euhn/, n.
1. a mythical monster generally represented as a huge, winged reptile with crested head and enormous claws and teeth, and often spouting fire.
2. Archaic. a huge serpent or snake.
3. Bible. a large animal, possibly a large snake or crocodile.
4. the dragon, Satan.
5. a fierce, violent person.
6. a very watchful and strict woman.
8. Bot. any of several araceous plants, as Arisaema dracontium (green dragon or dragonroot), the flowers of which have a long, slender spadix and a green, shorter spathe.
9. a short musket carried by a mounted infantryman in the 16th and 17th centuries.
10. a soldier armed with such a musket.
11. (cap.) Astron. the constellation Draco.
[1175-1225; ME < OF < L dracon- (s. of draco) < Gk drákon kind of serpent, prob. orig. epithet, the (sharp-)sighted one, akin to dérkesthai to look]

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Legendary monster usually depicted as a huge, bat-winged, fire-breathing lizard or snake with a barbed tail.

The dragon symbolized evil in the ancient Middle East, and the Egyptian god Apepi was the great serpent of the world of darkness. The Greeks and Romans sometimes represented dragons as evil creatures and sometimes as beneficent powers acquainted with the secrets of the earth. In Christianity the dragon symbolized sin and paganism, and saints such as St. George were shown triumphing over it. Used as warlike emblems in many cultures, dragons were carved on the prows of Norse ships and depicted on royal ensigns in medieval England. In the Far East the dragon was a beneficent creature, wingless but regarded as a power of the air. In China it symbolized yang in the yin-yang of cosmology, and it served as the emblem of the royal family.

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▪ mythological creature
      legendary monster usually conceived as a huge, bat-winged, fire-breathing, scaly lizard or snake with a barbed tail. The belief in these creatures apparently arose without the slightest knowledge on the part of the ancients of the gigantic, prehistoric, dragon-like reptiles. In Greece the word drakōn, from which the English word was derived, was used originally for any large serpent (see sea serpent), and the dragon of mythology, whatever shape it later assumed, remained essentially a snake.

      In general, in the Middle Eastern world, where snakes are large and deadly, the serpent or dragon was symbolic of the principle of evil. Thus, the Egyptian god Apepi (Apopis), for example, was the great serpent of the world of darkness. But the Greeks and Romans, though accepting the Middle Eastern idea of the serpent as an evil power, also at times conceived the drakontes as beneficent powers—sharp-eyed dwellers in the inner parts of the Earth. On the whole, however, the evil reputation of dragons was the stronger, and in Europe it outlived the other. Christianity confused the ancient benevolent and malevolent serpent deities in a common condemnation. In Christian art the dragon came to be symbolic of sin and paganism and, as such, was depicted prostrate beneath the heels of saints and martyrs.

      The dragon's form varied from the earliest times. The Chaldean dragon Tiamat had four legs, a scaly body, and wings, whereas the biblical dragon of Revelation, “the old serpent,” was many-headed like the Greek Hydra. Because they not only possessed both protective and terror-inspiring qualities but also had decorative effigies, dragons were early used as warlike emblems. Thus, in the Iliad, King Agamemnon had on his shield a blue three-headed snake, just as the Norse warriors in later times painted dragons on their shields and carved dragons' heads on the prows of their ships. In England before the Norman Conquest, the dragon was chief among the royal ensigns in war, having been instituted as such by Uther Pendragon, father of King Arthur. In the 20th century the dragon was officially incorporated in the armorial bearings of the prince of Wales.

      In the Far East, the dragon managed to retain its prestige and is known as a beneficent creature. The Chinese dragon, lung (q.v.), represented yang, the principle of heaven, activity, and maleness in the yin-yang (yinyang) (q.v.) of Chinese cosmology. From ancient times, it was the emblem of the Imperial family, and until the founding of the republic (1911) the dragon adorned the Chinese flag. The dragon came to Japan with much of the rest of Chinese culture, and there (as ryū or tatsu) it became capable of changing its size at will, even to the point of becoming invisible. Both Chinese and Japanese dragons, though regarded as powers of the air, are usually wingless. They are among the deified forces of nature in Taoism.

      The term dragon has no zoological meaning, but it has been applied in the Latin generic name Draco to a number of species of small lizards found in the Indo-Malayan region. The name is also popularly applied to the giant monitor, Varanus komodoensis, discovered on Komodo, in Indonesia.

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Universalium. 2010.

  
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Фильмы

  • Freed China., 1950 — Shooting of Civil War. Celebrating anniversary of the founding of the PRC. Beijing and other cities, attractions, businesses, schools and universities, shops, transport, cultural facilities (theaters, libraries). Great Wall of China. Rivers, landscapes, pastures, grain fields. The Chinese are working in factories and fields, transportation on roads, construction of cities and housing. The signing of the loan. Distributing of seeds and tools, put on the ground. Rallies in support of peace. Elimination of illiteracy. Restoring destroyed during the civil war economy. Treaty of friendship and economic cooperation with the USSR. Meetings of the Party committees in the field and the Politburo of the CC CP of China with Mao Tse-tung and others. Life of Chinese in urban and rural areas. Maneuvers of the Red Army of China. Health care. Pioneer organization of the PRC. Sports competitions, amateur. The work of agitators. Wedding ceremony.
  • Near the Soldier., 1975 — A film tells about cameramen's and reporters's work during the Great Patriotic War [Soviet People's participation in World War II 1941-1945].
  • From the Time Distance. Soviet Union And Chinese Revolution., 1986 — A film tells about the most essential and important periods in relations between the USSR and People's Republic of China based on the unique and little-known facts.