Sutherland, Dame Joan

born Nov. 7, 1926, Sydney, Austl.

Australian soprano.

After debuting in Sydney in 1947, she moved to London. Having sung minor roles at Covent Garden from 1952, she established her status as one of the leading coloraturas of the 20th century in a 1959 performance of Lucia di Lammermoor. She made her Metropolitan Opera debut in 1961, and she became a favourite there and worldwide in bel canto roles until her retirement in 1991.

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▪ Australian opera singer

born November 7, 1926, Sydney, Australia

 

 Australian operatic soprano internationally acclaimed for her coloratura roles.

      The daughter of a gifted singer, she studied piano and voice with her mother until 1946, when she won a vocal competition and began studying voice with John and Aida Dickens. She made her singing debut as Dido in a concert performance of Henry Purcell's Dido and Aeneas in Sydney in 1947 and her operatic debut in the title role of Sir Eugene Goossens's Judith in 1951. Cash prizes from several vocal competitions made it possible for her to move to London and begin study with Clive Carey at the Royal College of Music. In 1952 she was accepted into the company of the Royal Opera, Covent Garden, and made her first appearance there as the First Lady in Wolfgang Amadeus Mozart's The Magic Flute. Her accompanist and vocal coach, Richard Bonynge, who had worked with her in Sydney, was convinced that her future lay in the florid coloratura repertoire even though Covent Garden was training her as a dramatic Wagnerian soprano. In 1954 she married Bonynge, and with his help and encouragement she began to develop her higher range. In 1959 Covent Garden revived Gaetano Donizetti's Lucia di Lammermoor for her, and in 1961 she made her New York City debut in the same role at the Metropolitan Opera. Her performance in this difficult title role won international recognition and established her as the leading coloratura of the 20th century.

      Sutherland afterwards sang in Venice, Vienna, Dallas (Texas), Paris, Barcelona (Spain), Genoa (Italy), Milan, San Francisco, Chicago, and her native Sydney. Her greatest later successes were as Norma in Vincenzo Bellini's opera of that name, Cleopatra in George Frideric Handel's Giulio Cesare, and the three sopranos in Jacques Offenbach's The Tales of Hoffmann. She also had an impressive concert career and can be heard on many highly acclaimed recordings. She was made a Dame of the British Empire in 1978.

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