Apollo


Apollo
/euh pol"oh/, n., pl. Apollos for 2, 3.
1. the ancient Greek and Roman god of light, healing, music, poetry, prophecy, and manly beauty; the son of Leto and brother of Artemis.
2. a very handsome young man.
3. Aerospace. one of a series of U.S. spacecraft designed to carry astronauts to the moon and back.

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I
NASA manned Moon-landing project of the 1960s and '70s.

The Apollo spacecraft, supplied with their own low-powered rockets, could brake on approach to the Moon and go into lunar orbit. They also could release part of the spacecraft, the lunar module, with its own rocket power, to land astronauts on the Moon and bring them back to the lunar orbiter. In July 1969 Apollo 11 made the first lunar landing (see Edwin Aldrin; Neil Armstrong). In 1970 Apollo 13 was damaged by an explosion in an oxygen tank but returned safely to Earth. Later Apollo missions explored the lunar surface extensively, collecting samples of Moon rocks and installing instruments for research. Apollo 17, the program's final lunar flight, took place in 1972. In total, 12 American astronauts walked on the Moon during six successful lunar-landing missions.

Apollo 15 spacecraft as it lifts off from Cape Kennedy, Florida, U.S., atop a Saturn V three-stage ...

NASA
II
Most widely revered of the Greek gods.

He communicated the will of his father Zeus, made humans aware of their guilt and purified them of it, presided over religious and civil law, and foretold the future. His bow symbolized distance, death, terror, and awe; his lyre symbolized music, poetry, and dance. As a patron of the arts, he was often associated with the Muses. He was also a god of crops and herds. He became associated with the sun, and was even identified with Helios, the sun god. Also associated with healing, he was the father of Asclepius. By tradition, Apollo and his twin, Artemis, were born at Delos to Leto. Apollo's oracle was established at Delphi; the Pythian Games commemorated his killing (while still an infant) of the serpent Python to take the shrine. His many lovers fared poorly: the fleeing Daphne became a laurel tree; the unfaithful Coronis was shot by Artemis, and Cassandra, who rejected him, was doomed to utter true prophecies no one would believe.

Apollo Belvedere, restored Roman copy of the Greek original attributed to Leochares, 4th century ...

Alinari
Art Resource/EB Inc.

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 in Greek religion, a deity of manifold function and meaning, after Zeus perhaps the most widely revered and influential of all the Greek gods. Though his original nature is obscure, from the time of Homer onward he was the god of divine distance, who sent or threatened from afar; the god who made men aware of their own guilt and purified them of it; who presided over religious law and the constitutions of cities; who communicated to man through prophets and oracles his knowledge of the future and the will of his father, Zeus. Even the gods feared him, and only his father and his mother, Leto, could easily endure his presence. Distance, death, terror, and awe were summed up in his symbolic bow; a gentler side of his nature, however, was shown in his other attribute, the lyre, which proclaimed the joy of communion with Olympus (the home of the gods) through music, poetry, and dance. In humbler circles he was also a god of crops and herds, primarily as a divine bulwark against wild animals and disease, as his epithet Alexikakos (Averter of Evil) indicates. His forename Phoebus means “bright” or “pure,” and the view became current that he was connected with the sun. See Helios.

      Among Apollo's other epithets was Nomios (Herdsman), and he is said to have served King Admetus of Pherae in the lowly capacities of groom and herdsman as penance for slaying Zeus's armourers, the Cyclopes. He was also called Lyceius, presumably because he protected the flocks from wolves (lykoi); because herdsmen and shepherds beguiled the hours with music, scholars have argued that this was Apollo's original role.

      Though Apollo was the most Hellenic of all gods, he derived mostly from a type of god that originated in Anatolia and spread to Egypt by way of Syria and Palestine. Traditionally, Apollo and his twin, Artemis, were born on the isle of Delos. From there Apollo went to Pytho (Delphi), where he slew Python, the dragon that guarded the area. He established his oracle by taking on the guise of a dolphin, leaping aboard a Cretan ship, and forcing the crew to serve him. Thus Pytho was renamed Delphi after the dolphin (delphis), and the Cretan cult of Apollo Delphinius superseded that previously established there by Earth (Gaea). During the Archaic period (8th to 6th century BC), the fame of the Delphic oracle spread as far as Lydia in Anatolia and achieved pan-Hellenic status. The god's medium was the Pythia, a local woman over fifty years old, who, under his inspiration, delivered oracles in the main temple of Apollo. The oracles were subsequently interpreted and versified by priests. Other oracles of Apollo existed on the Greek mainland, Delos, and in Anatolia, but none rivalled Delphi in importance.

      Of the Greek festivals in honour of Apollo, the most curious was the octennial Delphic Stepterion, in which a boy reenacted the slaying of the Python and was temporarily banished to the Vale of Tempe.

      Although Apollo had many love affairs, they were mostly unfortunate: Daphne, in her efforts to escape him, was changed into a laurel, his sacred shrub; Coronis (mother of Asclepius) was shot by Apollo's twin, Artemis, when Coronis proved unfaithful; and Cassandra (daughter of King Priam of Troy) rejected his advances and was punished by being made to utter true prophecies that no one believed.

      In Italy Apollo was introduced at an early date and was primarily concerned, as in Greece, with healing and prophecy; he was highly revered by the emperor Augustus because the Battle of Actium (31 BC) was fought near one of his temples. In art Apollo was represented as a beardless youth, either naked or robed, and often holding either a bow or a lyre.

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Universalium. 2010.

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