- Rossi, Aldo
▪ 1998Italian architect (b. May 3, 1931, Milan, Italy—d. Sept. 4, 1997, Milan), created simple yet powerful works by using such geometric shapes as cones, cylinders, and squares and by making skillful use of light and shadow. Rossi was educated at the Milan Polytechnic and following graduation (1959) went to work for the design magazine Casabella, becoming its editor in 1964. In 1966 he set forth his architecture theories in L'architettura della città (The Architecture of the City, 1982), which established his reputation as a theorist and became an influential classic. He later published the manifesto Architettura razionale (1973) and A Scientific Autobiography (1981). Considered Rossi's most famous design was the Cemetery of San Cataldo in Modena, Italy (1971-77), in which a simple cube-shaped ossuary is surrounded by an apparently unending colonnade. Other well-known works were the Teatro del Mondo, created for the 1980 Venice Biennale; the Museum of Maastricht, Neth.; and the Hotel Il Palazzo in Fukuoka, Japan. In 1990 Rossi was honoured with the Pritzker Prize, architecture's highest award.
* * *▪ Italian architectborn May 3, 1931, Milan, Italydied September 4, 1997, MilanItalian architect and theoretician who advocated the use of a limited range of building types and concern for the context in which a building is constructed. This postmodern approach, known as neorationalism, represents a reinvigoration of austere classicism.Rossi received a degree in architecture from the Milan Polytechnic in 1959. He began a nine-year collaboration with the Italian architectural magazine Casabella-Continuità in 1955, and in 1959 he opened an architectural office in Milan. During the early 1960s he began his lifelong career as a teacher, working for a time at the Polytechnic of Milan and the Istituto Universitario di Architettura in Venice.In 1966 Rossi published his seminal publication L'architettura della città (The Architecture of the City), which quickly established him as a leading international theoretician. In the text he argued that, over the course of history, architecture has developed certain continuous forms and ideas, to the point that these are standard types in the collective memory that move beyond the scope of style and trends. To Rossi the modern city is an “artifact” of these architectural constants. Rather than disrupt this fabric with shockingly new, individualistic architecture, Rossi maintained that architects must respect the context of a city and its architecture and tap into these common types. This position is called neorationalist, since it updates the ideas of the Italian rationalist architects of the 1920s and '30s, who also favoured a limited range of building types. Rossi was also sometimes classified simply as a postmodernist because he rejected aspects of Modernism and utilized aspects of historical styles. The complex nature of Rossi's ideas meant that throughout the 1960s and '70s he was more a theoretician and teacher than an architect of built works. Indeed, he spent much of the 1970s and early 1980s teaching at universities in the United States, including Yale and Cornell.Among Rossi's first works to be built was his winning competition design (with Gianni Braghieri) for the Cemetery of San Cataldo (1971–84) in Modena, Italy. Rossi's design for the sanctuary of the cemetery, a heavy cube standing on square pillars with raw square windows carved out in symmetrical layers, stripped architecture down to its essence. While in some ways reminiscent of Greek and Renaissance models, it had a severity and total lack of ornamentation that made it of its time. Reflecting in many elements the style of local factories, the building also fit into its context. Rossi's Gallaratese housing scheme (1969–73) in Milan is an enormous concrete structure built to house 2,400 people. Its design, like that of the cemetery, utilized simple primary forms and repetitive elements in the facade. The structure's uniformity and timelessness again made it fit within, rather than detract from, the urban fabric. Rossi gained international attention at the Venice Biennale in 1979 when he designed the Teatro del Mondo, a floating theatre. The wood-clad structure, featuring an octagonal tower, recalled the Venetian tradition of floating theatres and, Rossi believed, tapped into the collective architectural memory of the city.In the 1980s and '90s Rossi continued his search for a timeless architectural language in commissions such as the Hotel il Palazzo (1987–94) in Fukuoka, Japan, and the Bonnefanten Museum (1995) in Maastricht, Netherlands. Over time, his architectural sketches and drawings became recognized as works in themselves and were shown in major museums throughout the world. In addition to being an architect and writer, he worked as an industrial designer, notably for Alessi. In 1990 Rossi received the Pritzker Prize.Additional ReadingJohn O'Regan (ed.), Aldo Rossi (1983); Morris Adjmi and Giovanni Bertolotto (eds.), Aldo Rossi: Drawings and Paintings (1993).
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ROSSI, Aldo — (1931 ) Although most Post Modern architecture is generally seen as overtly historical, sometimes Mannerist, and even playful or humorous, Aldo Rossi cultivated a more formal Post Modern style that is reductive, rational, and formal. By… … Historical Dictionary of Architecture
Aldo Rossi — (* 3. Mai 1931 in Mailand; † 4. September 1997 ebenda) war einer der richtungsweisenden Architekten und Designer des 20. Jahrhunderts. Inhaltsverzeichnis 1 Biografie 1.1 Erste Schritte 1 … Deutsch Wikipedia
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Rossi — is an Italian surname, said to be the most common surname in Italy. Due to Italian emigration, it is also very common in other countries, including the United States, Brazil, Argentina, Uruguay and Chile. Rossi is the plural of Rosso (meaning red … Wikipedia
Aldo Rossi — Pour les articles homonymes, voir Rossi. Aldo Rossi Présentation Naissance 3 mai 1931 Milan (Italie) Décès … Wikipédia en Français
Aldo Loris Rossi — (* 1933 in Neapel, Italien; lebt ebenda) ist ein italienischer Architekt, avantgardistischer Architekturtheoretiker und Hochschullehrer. Inhaltsverzeichnis 1 Leben und Werk 2 Bauwerke und Projekte 3 … Deutsch Wikipedia
Aldo Rossi — (May 3, 1931 September 4, 1997) was an Italian architect and designer who accomplished the unusual feat of achieving international recognition in three distinct areas: theory, drawing, and architecture. Rossi was born in Milan, Italy. He… … Wikipedia
Rossi — ist ein Familienname. Herkunft und Bedeutung Rossi ist ein ursprünglich italienischer Familienname. In Italien zählt er heute zu den am weitesten verbreiteten Familiennamen. Vermutlich leitet sich Rossi von der Pluralform des Adjektivs Rosso (dt … Deutsch Wikipedia
Aldo Bonacossa — Aldo Bonacossa, né le 7 août 1885 à Vigevano et mort le 28 juillet 1975, est un alpiniste italien auteur de très nombreuses premières et précurseur du ski de montagne. Biographie Aldo Bonacossa pratique activement treize… … Wikipédia en Français
Aldo Rossi — (3 de mayo de 1932 4 de septiembre de 1997), arquitecto italiano, nacido en Milán. Su padre tenía una fábrica de bicicletas, cuya marca era Rossi . Fue a dos colegios diferentes durante la Segunda Guerra Mundial y a continuación estudió… … Enciclopedia Universal