Wassermann, Jakob

born March 10, 1873, Fürth, Bavaria

died Jan. 1, 1934, Altaussee, Austria

German novelist.

After an unsettled youth he achieved success with such works as Die Juden von Zirndorf (1897), Caspar Hauser (1908), and Christian Wahnschaffe (1919). His popularity was greatest in the 1920s and '30s, when he wrote The Maurizius Case (1928), treating the theme of justice with the carefully plotted suspense of a detective story, and extended the tale of a post-World War I youth into a trilogy with Etzel Andergast (1931) and Kerkhoven's Third Existence (1934). He is frequently compared to Fyodor Dostoyevsky in both his moral fervour and his sensationalizing tendency.

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▪ German author

born March 10, 1873, Fürth, Bavaria [Germany]

died Jan. 1, 1934, Altaussee, Austria

 German novelist known for his moral fervour and tendency toward sensationalism; his popularity was greatest in the 1920s and '30s.

      Early in his career Wassermann, whose father was a merchant, wrote for the satirical weekly Simplicissmus in Munich. He later moved to Vienna before settling in Altaussee. He achieved success with his novel Die Juden von Zirndorf (1897; “The Jews of Zirndorf”; Eng. trans. The Dark Pilgrimage), a study of Jews longing for the messiah. He established his reputation with Caspar Hauser (1908), the fact-based story of a strange boy, apparently unfamiliar with the ordinary world, who was found in Nürnberg in 1828 and whose identity and subsequent murder or suicide remained a mystery. Wassermann uses the story to castigate bourgeois numbness of heart and lack of imagination in dealing with anything out of the ordinary. In Christian Wahnschaffe (1919; The World's Illusion), one of his most popular works, a millionaire's son, after experiencing all that high life, love, travel, and art have to offer, dedicates himself to the service of humanity.

      Perhaps Wassermann's most enduring work is Der Fall Maurizius (1928; The Maurizius Case), which treats the theme of justice with the carefully plotted suspense of a detective story. It introduced the character Etzel Andergast, whose questioning of the judgment of his cold-hearted jurist father and whose own detective work eventually prove the innocence of a man his father had condemned. Etzel became a symbol of post-World War I German youth by rejecting the authority of the past and finding his own truth by trial-and-error, doggedly following elusive clues. This work was extended into a trilogy including Etzel Andergast (1931) and Joseph Kerkhovens dritte Existenz (1934; Kerkhoven's Third Existence). Mein Weg als Deutscher und Jude (1921; My Life as German and Jew) is Wassermann's autobiography.

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