Kamo Chomei

born 1155, Japan

died July 24, 1216, Kyōto

Japanese poet and critic.

He is best known for An Account of My Hut (1212), a poetic diary describing his life in seclusion written after he left a court office to take Buddhist orders and become a hermit. His poetry is representative of the best of an age that produced many poets of the first rank. His Nameless Notes (1208/09) is an extremely valuable collection of critical comments, anecdotes, and poetic lore.

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▪ Japanese poet

also called  Kamo no Chōmei  

born 1155, Japan

died July 24, 1216, Kyōto

      poet and critic of Japanese vernacular poetry, one of the major figures in the history of Japanese poetics. He is best known as a classic example of the man of sensibility turned recluse and as the author of Hōjō-ki (1212; The Ten Foot Square Hut), a description of his life in seclusion.

      The son of a Shintō priest of Kyōto, Chōmei was given a thorough artistic training. Despite his comparatively humble origin, his poetic gifts brought him grudging recognition from the court and, eventually, a court-appointed office. Shortly after his position was established, Chōmei took Buddhist orders (1204) and turned his back on the world. He lived first for four or five years in the hills of Ōhara and then built his tiny hermit's hut in the Hino foothills southeast of the capital and completed his Hōjō-ki. The work is a series of brief accounts of the disasters that had befallen Kyōto during Chōmei's lifetime, followed by a contrasting description of the natural beauty and peace of his hermit's life. The whole is dominated by a characteristic Buddhist view of the vanity of human endeavour and the impermanence of material things. The Hōjō-ki bears a more than coincidental resemblance to the Chitei-ki (“Account of My Cottage by the Pond”) of Yoshishige Yasutane (934?–997), a work in Chinese prose dating from 981.

      Chōmei, in fact, kept in touch with the court and the poetic world after his retirement. In 1205, to his great delight, 10 of his poems were included in the first draft of the Shin kokinshū, the eighth imperial anthology of court poetry. About 1208 or 1209 he began work on his Mumyō shō (“Nameless Notes”), an extremely valuable collection of critical comments, anecdotes, and poetic lore. In 1214 or 1215 he is believed to have completed his Hosshin shū (“Examples of Religious Vocation”). His other works include a selection of his own poems (probably compiled in 1181) and the Ise-ki (“Record of a Journey to Ise”), no longer extant. Chōmei's poetry is representative of the best of an age that produced many poets of the first rank. His poetry was unusual in its extreme difficulty but possessed great tonal depth and resonance.

Additional Reading

Thomas Blenman Hare, “Reading Kamo no Chōmei,” Harvard Journal of Asiatic Studies, 49(1):173–228 (June 1989); Rajyashree Pandey, Writing and Renunciation in Medieval Japan: The Works of the Poet-Priest Kamo no Chōmei (1998).

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