- Dong Qichang
or Tung Ch'i-ch'angborn 1555, Huating, Kiangsu province, Chinadied 1636Chinese painter, calligrapher, and theoretician of the late Ming period.He is noted especially for his writings on Chinese painting, which he divided into the Northern school, which taught the acquisition of truth, and the Southern school, which emphasized sudden, intuitive understanding. At the centre of the scholarly ideal of the Southern school was the art of calligraphy, which expressed the true nature of the artist without the interposition of pictorial description. Dong Qichang's own paintings stress stark forms, seemingly anomalous spatial renderings, and naive handling of ink and brush. His ideas continue to influence Chinese aesthetic theory.
* * *▪ Chinese artistWade-Giles romanization Tung Ch'i-ch'angborn 1555, Huating [now in Shanghai], Chinadied 1636Chinese painter, calligrapher, and theoretician who was one of the finest artists of the late Ming (Ming dynasty) period. The most distinguished connoisseur of his day, Dong Qichang set forward ideas that have continued to influence Chinese aesthetic theory.Dong Qichang was born to a poor but scholarly family, and, though he at first failed the government examinations, he passed the jinshi (“advanced scholar”) examination at age 34 and was appointed to the first of a series of official positions within the Ming government.Dong Qichang is perhaps best known for his writings on Chinese painting. Dividing Chinese painting into “Northern” and “Southern” schools, as first suggested by his older contemporary and friend Mo Shilong, he traced the lineage and analyzed the traditions of both branches. He maintained that the Southern school emphasized a sudden, intuitive realization of truth, whereas the Northern school taught a more gradual acquisition of such insight. Painters associated with the Southern school were “literati (wenrenhua)”—sensitive poets and scholars who were also gentlemen painters—who painted intuitively (like an “amateur”) without conscious thought of function or beauty. They appealed to a similarly sensitive elite rather than to popular taste. At the very centre of this scholarly ideal was the art of calligraphy, which expressed abstractly the real nature of the individual who wielded the brush, without interposing any pictorial description. In contrast, the “professional” painters of the Northern school worked to create a handsome surface of immediate visual appeal with little suggestion of the artist's inner nature.Dong Qichang's own calligraphy followed the style of the eminent calligraphers Zhao Mengfu and Wen Zhengming and, ultimately, of masters of the Jin and Tang dynasties. Like the former two artists, his creative approach was conscientious, disciplined, scholarly, and systematic, seeking out the spirit rather than slavishly reproducing the outward appearance of his models.In his paintings, Dong Qichang especially favoured the Four Masters of the Yuan dynasty ( Huang Gongwang, Wu Zhen, Wang Meng, and Ni Zan), who had both the selfless personality and the personal style indicative of the artist-scholar's highest ideal. His paintings reveal his debt to them in both style and motif, yet he went considerably beyond them in banishing all immediate beauty from his art and stressing instead stark forms, seemingly anomalous spatial renderings, and clumsy handling of ink and brush. Dong Qichang's writings appear on his art itself as well as in various compilations of his writings—including the anthologies Huayen (“The Eye of Painting”), Huazhi (“The Meaning of Painting”), and Huachanshi suibi (“Notes from the Painting-Meditation Studio [of Dong Qichang]”).
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Dong Qichang — Dong Qichang, Wanluan Thatched Hall (婉娈草堂图), 1597. Private collection, Taipei. This is a Chinese name; the family name is Dong. Dong Qichang (Chinese: 董其昌; pinyin: Dǒng Qíchāng; Wade–Giles: Tung Ch i ch ang, 1555– … Wikipedia
DONG QICHANG — fut pour la peinture des lettrés le pape d’une orthodoxie: c’est lui qui définit de façon définitive les dogmes de cet art et prononça contre les peintres professionnels et autres hérétiques une excommunication sans appel. Si déplaisant que fût… … Encyclopédie Universelle
Dong Qichang — (chinesisch 董其昌 Dǒng Qíchāng, W. G. Tung Ch i ch ang; * 1555; † 1636) war ein Maler, Gelehrter und Kalligraph der ausgehenden Ming Dynastie. Dǒng Qíchāng – Landschaft Inhaltsverzeichnis … Deutsch Wikipedia
Dong Qichang — Huit scènes d automne. Feuille d album, troisième feuille. 1620. Encre et couleurs sur papier. 53,8 x 37,7cm. Shanghai Museum. Dǒng Qíchāng (1555 1636) était un peintre, calligraphe et critique d art de la fin de la période Ming. Il eut, en tant… … Wikipédia en Français
Dong Qichang — o Tung Ch i ch ang (1555, Huating, provincia de Kiangsu, China–1636). Pintor, calígrafo y teórico chino del período Ming tardío. Se destacó especialmente por sus escritos sobre pintura china, la que dividió en la escuela del Norte, orientada a la … Enciclopedia Universal
Dong Yuan — ou Tong Yuan ou Tung Yüan, surnom: Shuda, nom de pinceau: Beiyuan, né vers 934 à Zhongling (aujourd hui Nankin), mort en 962, est un peintre chinois actif sous la … Wikipédia en Français
Dong — steht für: Dong (Volk), eine ethnische Minderheit in China Dong (Sprache), ihre gleichnamige Muttersprache Dong (Stamm), einer der sechs Stämme der Tibeter (vgl. Sinmo) Dong (Panzhihua), ein Stadtbezirk der Stadt Panzhihua in Sichuan Đồng, die… … Deutsch Wikipedia
Dong (Chinese surname) — Dong Family name Region of origin China Dong (董 in pinyin: Dǒng; Standard Romanization (Cantonese): Tung) is a common Chinese family name. origin 董; Liaoning state people Shu An(叔安) s offspring Dong Fu(董父) has surname Dong (董) Dong (董) is Chu… … Wikipedia
Dong (surname) — Dong (董 in pinyin: Dǒng; Standard Romanization (Cantonese): Tung) is a common Chinese family names.Prominent people with the family name Dong 董* Tung Chao Yung (董浩雲), Onassis of the Orient. * Tung Chee Hwa (董建華), the first Chief Executive of the… … Wikipedia
dong — dong1 /dawng, dong/, n. a deep sound like that of a large bell. [1580 90; imit.; see DING DONG] dong2 /dawng, dong/, n., pl. dong. the basic monetary unit of Vietnam, equal to 100 hao: replaced the southern piaster and the northern dong in 1978.… … Universalium