sand painting

1. the ceremonial practice among Navaho and Pueblo Indians of creating symbolic designs on a flat surface with varicolored sand.

2. the designs so made.

[1895-1900, Amer.]

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also called  dry painting 

      type of art that exists in highly developed forms among the Navajo and Pueblo Indians of the American Southwest and in simpler forms among several Plains and California Indian tribes. Although sand painting is an art form, it is valued among the Indians primarily for religious rather than aesthetic reasons. Its main function is in connection with healing ceremonies.

      Sand paintings are stylized, symbolic pictures prepared by trickling small quantities of crushed, coloured sandstone, charcoal, pollen, or other dry materials in white, blue, yellow, black, and red hues on a background of clean, smoothed sand. About 600 different pictures are known, consisting of various representations of deities, animals, lightning, rainbows, plants, and other symbols described in the chants that accompany various rites. In healing, the choice of the particular painting is left to the curer. Upon completion of the picture, the patient sits on the centre of the painting, and sand from the painting is applied to parts of his body. When the ritual is completed, the painting is destroyed.

      For years the Indians would not allow permanent, exact copies of sand paintings to be made. When the designs were copied in rugs, an error was deliberately made so that the original design would still be powerful. Today many of the paintings have been copied both to preserve the art and for the record.

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