Lost Generation

Lost Generation
1. the generation of men and women who came of age during or immediately following World War I: viewed, as a result of their war experiences and the social upheaval of the time, as cynical, disillusioned, and without cultural or emotional stability.
2. a group of American writers of this generation, including Ernest Hemingway, F. Scott Fitzgerald, and John Dos Passos.
[1925-30]

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Group of U.S. writers who came of age during World War I and established their reputations in the 1920s; more broadly, the entire post–World War I American generation.

The term was coined by Gertrude Stein in a remark to Ernest Hemingway. The writers considered themselves "lost" because their inherited values could not operate in the postwar world and they felt spiritually alienated from a country they considered hopelessly provincial and emotionally barren. The term embraces Hemingway, F. Scott Fitzgerald, John Dos Passos, E.E. Cummings, Archibald MacLeish, and Hart Crane, among others.

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      in general, the post-World War I generation, but specifically a group of U.S. writers who came of age during the war and established their literary reputations in the 1920s. The term stems from a remark made by Gertrude Stein (Stein, Gertrude) to Ernest Hemingway (Hemingway, Ernest), “You are all a lost generation.” Hemingway used it as an epigraph to The Sun Also Rises (1926), a novel that captures the attitudes of a hard-drinking, fast-living set of disillusioned young expatriates in postwar Paris. The generation was “lost” in the sense that its inherited values were no longer relevant in the postwar world and because of its spiritual alienation from a U.S. that, basking under President Harding's “back to normalcy” policy, seemed to its members to be hopelessly provincial, materialistic, and emotionally barren. The term embraces Hemingway, F. Scott Fitzgerald, John Dos Passos, e.e. cummings, Archibald MacLeish, Hart Crane, and many other writers who made Paris the centre of their literary activities in the '20s. They were never a literary school. In the 1930s, as these writers turned in different directions, their works lost the distinctive stamp of the postwar period. The last representative works of the era were Fitzgerald's Tender Is the Night (1934) and Dos Passos' The Big Money (1936).

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Look at other dictionaries:

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