iconography


iconography
iconograph /uy kon"euh graf', -grahf'/, n.iconographer, n.
/uy'keuh nog"reuh fee/, n., pl. iconographies.
1. symbolic representation, esp. the conventional meanings attached to an image or images.
2. subject matter in the visual arts, esp. with reference to the conventions regarding the treatment of a subject in artistic representation.
3. the study or analysis of subject matter and its meaning in the visual arts; iconology.
4. a representation or a group of representations of a person, place, or thing, as a portrait or a collection of portraits.
[1620-30; < ML iconographia < Gk eikonographía. See ICONO-, -GRAPHY]

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▪ religious art
      the science of identification, description, classification, and interpretation of symbols, themes, and subject matter in the visual arts. The term can also refer to the artist's use of this imagery in a particular work. The earliest iconographical studies, published in the 16th century, were catalogs of emblems and symbols collected from antique literature and translated into pictorial terms for the use of artists. The most famous of these works is Cesare Ripa's Iconologia (1593). Extensive iconographical study did not begin in Europe until the 18th century, however, when, as a companion to archaeology, it consisted of the classification of subjects and motifs in ancient monuments.

      In the 19th century, iconography became divorced from archaeology and was concerned primarily with the incidence and significance of religious symbolism in Christian art. In the 20th century, investigation of Christian iconography has continued, but the secular and classical iconography of European art has also been explored, as have the iconographic aspects of Eastern religious art.

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Universalium. 2010.

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