- Hicks, Edward
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died Aug. 23, 1849, Newtown, Pa.U.S. painter.He was a coach and sign painter from an early age. In middle age he began to produce paintings of farm scenes and landscapes in a naive, or folk, style. Fearing that art was contrary to his Quaker religion but believing that it might bring meaning to life, he often framed his pictures with edifying verse. He painted his best-known subject, The Peaceable Kingdom, about 100 times; some 25 versions survive. In this charming Quaker pageant, William Penn appears on the left making his treaty with the Native Americans, while beasts are gathered on the right with little children playing among them.
The Cornell Farm, oil on canvas by Edward Hicks, 1848; in the National Gallery of Art, ...By courtesy of the National Gallery of Art, Washington, D.C., gift of Edgar William and Bernice Chrysler Garbisch* * *
▪ American painterborn April 4, 1780, Attleboro, Pa., U.S.died Aug. 23, 1849, Newtown, Pa.American primitive, or folk, painter known for his naive depictions of the farms and landscape of Pennsylvania and New York, and especially for his many versions (about 25 extant, perhaps 100 painted) of “The Peaceable Kingdom.” The latter work depicts Hicks's belief, as a Quaker, that Pennsylvania was the fulfillment of Isaiah's prophecy (11:6–9) of justice and gentleness between all men and beasts. William Penn and other Quakers appear on the left of the picture, making their treaty with the Indians, while Isaiah's beasts are gathered on the right with little children playing among them. The landscape, figures, and animals make a charmingly awkward pageant of the Quakers' ideas.Hicks came to art late. A painter of coaches and signs in early life, for many years he devoted all his serious energies to his avocation of preaching. It was as a preacher that he was celebrated among his contemporaries, and the 3,000 mourners at his funeral grieved at the loss of a favourite minister. He began to make easel paintings when he was in middle age, and with some reluctance. Although he feared that art was contrary to religion, he testified that it could sometimes bring meaning to life. Unable to make a painting without an apparent moral, he often framed a picture with edifying verse of his own composition, like that surrounding his view of Niagara Falls.* * *
Universalium. 2010.
