Gilgamesh

/gil"geuh mesh'/, n.

a legendary Sumerian king, the hero of Sumerian and Babylonian epics.

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Hero of the ancient Akkadian-language Epic of Gilgamesh.

The great literary work of ancient Mesopotamia, the epic is known from 12 incomplete tablets discovered at Nineveh in the library of Ashurbanipal. Gaps in the narrative have been filled in with fragments found elsewhere. The character Gilgamesh is probably based on the Gilgamesh who ruled Uruk in the 3rd millennium BC. The epic presents Gilgamesh as a great warrior and builder, who rejects the marriage proposal of the goddess Ishtar. With the aid of his friend and companion Enkidu, he kills the divine bull that Ishtar sends to destroy him. Enkidu's death prompts Gilgamesh to seek Utnapishtim, survivor of the legendary flood, to learn how to escape death. He obtains a youth-renewing plant only to have it stolen. The epic ends with the return of the spirit of Enkidu, who gives a dismal report on the underworld.

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▪ Mesopotamian mythology

      the best known of all ancient Mesopotamian heroes. Numerous tales in the Akkadian language have been told about Gilgamesh, and the whole collection has been described as an odyssey—the odyssey of a king who did not want to die.

      The fullest extant text of the Gilgamesh epic is on 12 incomplete Akkadian-language tablets found at Nineveh in the library of the Assyrian king Ashurbanipal (reigned 668–627 BC). The gaps that occur in the tablets have been partly filled by various fragments found elsewhere in Mesopotamia and Anatolia. In addition, five short poems in the Sumerian language are known from tablets that were written during the first half of the 2nd millennium BC; the poems have been entitled “Gilgamesh and Huwawa,” “Gilgamesh and the Bull of Heaven,” “Gilgamesh and Agga of Kish,” “Gilgamesh, Enkidu, and the Netherworld,” and “The Death of Gilgamesh.”

      The Gilgamesh of the poems and of the epic tablets was probably the Gilgamesh who ruled at Uruk (Erech) in southern Mesopotamia sometime during the first half of the 3rd millennium BC and who was thus a contemporary of Agga, ruler of Kish; Gilgamesh of Uruk was also mentioned in the Sumerian list of kings as reigning after the Flood. There is, however, no historical evidence for the exploits narrated in poems and epic.

      The Ninevite version of the epic begins with a prologue in praise of Gilgamesh, part divine and part human, the great builder and warrior, knower of all things on land and sea. In order to curb Gilgamesh's seemingly harsh rule, the god Anu caused the creation of Enkidu, a wild man who at first lived among animals. Soon, however, Enkidu was initiated into the ways of city life and traveled to Uruk, where Gilgamesh awaited him. Tablet II describes a trial of strength between the two men in which Gilgamesh was the victor; thereafter, Enkidu was the friend and companion (in Sumerian texts, the servant) of Gilgamesh. In Tablets III–V the two men set out together against Huwawa (Humbaba), the divinely appointed guardian of a remote cedar forest, but the rest of the engagement is not recorded in the surviving fragments. In Tablet VI Gilgamesh, who had returned to Uruk, rejected the marriage proposal of Ishtar, the goddess of love, and then, with Enkidu's aid, killed the divine bull that she had sent to destroy him. Tablet VII begins with Enkidu's account of a dream in which the gods Anu, Ea, and Shamash decided that he must die for slaying the bull. Enkidu then fell ill and dreamed of the “house of dust” that awaited him. Gilgamesh's lament for his friend and the state funeral of Enkidu are narrated in Tablet VIII. Afterward, Gilgamesh made a dangerous journey (Tablets IX and X) in search of Utnapishtim, the survivor of the Babylonian Flood, in order to learn from him how to escape death. He finally reached Utnapishtim, who told him the story of the Flood and showed him where to find a plant that would renew youth (Tablet XI). But after Gilgamesh obtained the plant, it was seized by a serpent, and Gilgamesh unhappily returned to Uruk. An appendage to the epic, Tablet XII, related the loss of objects called pukku and mikku (perhaps “drum” and “drumstick”) given to Gilgamesh by Ishtar. The epic ends with the return of the spirit of Enkidu, who promised to recover the objects and then gave a grim report on the underworld.

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